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Претходна
Следна
  • Shame - Steve McQueen
  • The Soul of flies - Jonathan Cenzual Burley
  • Best intentions - Adrian Sitaru
  • Loudres - Jessica Hausner
  • The Trip - Nejc Gazvoda
  • Black fields - Vardis Marinakis
  • Eighty Letters - Václav Kadrnka
  • Losers’ Club - Tolga Örnek
  • Anarchy in Žirmūnai - Saulius Drunga
  • The House - Zuzana Liová
  • 22-nd of May - Koen Mortier
  • Salt white - Ketevan Machavariani

Cinedays - A guide along the journey of film

The film is a series of images of our subconsciousness, flickering pictures which are so much like life itself, images which often rise above it. Dreaming in a state of wakefulness. The film is a sum of illusionistic-narrative codes, especially at the beginning of its creation. The film is created (and perceived) with all instruments that lead to contemplation on art. The film aesthetics is in fact philosophy of the seventh art, a synthesis of the film thought. The film is not only an abstract form which is enriched through several aesthetic qualities, but also how that particular aesthetic quality is enriched with the language traits. Lacan recognizes four primary types of sex drives. If just a half of them - the ocular (visual) and the aural (audial) drive - are the reason for one’s visit to the cinema, then who needs a stronger proof on the power of film?
“Going to the cinema is one lawful activity among the others” (C. Metz), “with its place in the admissible pastimes of the day or the week, and yet that place is a hole in the social cloth, a loophole opening up to something slightly more crazy, slightly less approved than what one does the rest of the time.”

Welcome to the very source of curiosity... to CINEDAYS

Vlatko GALEVSKI

Download program in .pdf

Program - Cinedays - 2011

 

 

 

 

 

 

 

Download program in .pdf format with all informations about Festival of European Film - Cinedays 2011.

Gala premieres out of competition

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